Nominated for the 2012 Turner Prize, Spartacus Chetwynd celebrates occasions in cultural history that exemplify extremist behaviour and belief. Her work cites instances that blur genius and madness to expose the raw zeal, aspiration, and creativity of utopian vision. “I started making animals because you can’t have a production about this type of person without that environment.” Chetwynd explains. Chetwynd describes her approach to art making as “unbridled enthusiasm”. For each work she strives for total immersion into the worlds of her subjects, honouring their passions and contributions with her own. This is reflected in the DIY style Chetwynd employs: her objects are handmade to illustrate how the earnest (and seemingly ridiculous) efforts of one person can have real and meaningful consequences. Chetwynd never uses prefab materials: the outfits are sewn from cloth which she dyes herself using paint and salt, and masks and other accessories are made from latex moulds or cardboard.
“Enthusiasm makes sense to me,” Chetwynd reveals. “My work is more like comedy or carnival rather than something that is professionalised; it has a fun rebellious energy. Humour is often marginalised, it’s underestimated how hard you have to work to get or keep your ground. My performances are really gestural and are not meant to exist afterward. I wanted to burn the costumes after, but really had to change my attitude. My heroes are the Marx Brothers, but I only know them off video. They bothered to make their fun, gestural, off-hand experience package-able, not in a dark way but in a way that people can enjoy afterward forever. It's important to make an effort to make things that last so they can continue to communicate to people."
Quote taken from Saatchi Gallery
Spartacus Chetwynd is represented by Sadie Coles